May 2020 ZOOM-Minisymposium by the platform CHAKKARs – Moving Interventions (Sandra Chatterjee and Sarah Bergh) with Hari Krishnan, Anna Wagner and Eike Wittrock and Border-Dancing Across Time …
André Levinson’s modern order of “steps nègres”
Presented by Nicole Haitzinger at “The Africa of European Scholars, 17th-20th Centuries” Dakar, February 2018
Alienated faces of dance: André Levinsons order of modern exoticisms
Presented by Nicole Haitzinger at “Modernist Life” Conference, University of Birmingham, September 2017
Bewegung. Movement
Franz Anton Cramer (2017). In: Giulia Palladini und Marco Pustianaz (eds.): Lexicon for an Affective Archive (pp. 59 – 62). Bristol: Intellect.
Experience, Description, Relation. Movement Artefacts Transformed
Franz Anton Cramer (2017). In: Barbara Büscher und Franz Anton Cramer (eds.): Fluid Access: Archiving Performance-Based Arts (pp. 102 – 108). Hildesheim a. o.: Olms.
Migrating gestures: Nyota Inyoka’s Work and Questions of Choreographing Doubleness
Presented by Sandra Chatterjee and Nicole Haitzinger at “Interweaving Cultures“, Malta, March 8-10 2017
Border-Choreography Across Time: Nyota Inyoka’s Work and Questions of Choreographing Doubleness
Presented by Sandra Chatterjee and Nicole Haitzinger at “TaPRA 2016 Conference”, University of Bristol, September 2016
Moderne als Plural. La danse d’aujourd’hui (1929)
Haitzinger, Nicole (2016). In Moderne Szenerien (pp. 6-30). Epodium.
Nyota Inyoka: ‘Forgotten’ modern Parisian Choreographer?
Presented by Nicole Haitzinger at “IFTR Conference“, Stockholm, June 2016
The following short analysis of Nyota Inyoka’s notation ‘Shiva’ by Sandra Chatterjee and Nicole Haitzinger was part of the conference presentation by Nicole Haitzinger.
›Bigger Than The Dancer‹. Defining Dance in the 1930s and beyond
Franz Anton Cramer (2016) In: Nicole Haitzinger und Franziska Kollinger (eds.): Moderne Szenerien. Skizzen zur Diversität von Tanz- und Musikkulturen (1910 – 1950) (pp. 149 – 160). München: epodium (= off epodium Nr. 7).